Some Guy Named Matt Slightly Redeems Humanity


by Jeff

This is the “big thing” on the web today. I try not to link to things BoingBoing posts (because I assume pretty much everybody reads BoingBoing), but I’m gonna have to make an exception for this. If you want to feel kind of good about our often-miserable species, the next four and a half minutes are for you:


Where the Hell is Matt? (2008) from Matthew Harding on Vimeo.

Via BoingBoing.


Summer Fridays and Brian K. Vaughan


by Jeff

My friend (and fellow U-92 alum) Bill Pearis knows as much about music as anyone you or I have ever met. He covers new music and NYC shows on his blog, Sound Bites, and he also writes a column for the hugely popular Brooklyn Vegan, which is both a blog and a person. Bill just started a new feature today called Summer Fridays - he’s posting a new downloadable mix every week, complete with cover art and fancy segues. The first mix is fantastic, and not just because it features XTC’s “Life Begins at the Hop.” Don’t miss it.




Also, I skipped out of work early yesterday so I could go to Midtown Comics and meet Brian K. Vaughan, who was doing a rare signing (I think it’s actually his last for 2008). Vaughan is probably best known for his series Y: The Last Man, about a sudden, catastrophic event that kills every male on Earth but one guy and his pet monkey. He’s also a writer and executive story editor for Lost, and I’m not alone in believing the show improved tremendously as soon as he was brought in, late in season three. Other notable works include Runaways, Ex Machina, Pride of Baghdad, and a recent arc about Faith for Buffy the Vampire Slayer Season 8.

The line outside Midtown Comics to meet Brian K. Vaughan on Thursday

The line stretched almost a full city block when I got there, about 15 minutes before the 5:00 start. I turned into a blubbering jackass as soon as I got to the table where Vaughan was signing, but I did manage to ask if he had plans to return to the Buffy series, which picks up after the events of the TV series finale. He said there was nothing official planned but that he would jump at the chance if series creator Joss Whedon asked. (Whedon also took over writing duties on Runaways after Vaughan’s run ended, and Strangers in Paradise creator Terry Moore is set to succeed Joss.)

Vaughan is only going to get more popular and successful - he’s on my short list of People Who Will Rule the World - so keep an eye out (and pick up the first trade collection of Y, “Unmanned”, while you’re at it).


Why You Should Hire a Copyeditor


by Jeff

As an editor, my primary function is to find and correct things that are wrong (examples: a misspelling, a factual error, a word that you “didn’t think was that racist,” a grammatical construction that makes you sound like a cannibal). I have to be observant, and I also have to continually educate myself to ensure I’m able to spot any potential problems. It’s often easy to overlook mistakes when you’re dealing with a 4,000-word feature or, say, your thirtieth document of the day. When your word count is less than ten, however, you don’t have an excuse:



Copyeditors are a dying breed these days, although that doesn’t mean they’re any less necessary.


First thing via Jeremy Parish; last two links via Bill Walsh. Box art directly from Amazon.


Friday Miscellany: Skyscrapers, Futureheads, Farts


by Jeff



- If the name alone isn’t enough to get you to play Puzzle Farter, we will probably never be friends.


- In my last post, I mentioned Josh Cotter’s amazing Skyscrapers of the Midwest, and I’ve been making notes for a more in-depth post about the book. Instead, I’ll just direct you to Brian Heater’s review at The Daily Cross Hatch, which says it better than I would have.

A particularly powerful sequence…finds the protagonist plagued with self-doubt at his own baptism, seeking, no doubt, an Augustinian moment that will simultaneously appease those around him and resolve his youthful existential crises. Upon his actual baptism, however, he is ultimately plagued by the very waters that seek to cure him, visions beneath the water chanting accusations of his own false pretenses for conversion.

It’s a heavy, disturbing scene, and it ties directly to the preview I linked to last time. If you haven’t already, take a minute to read that. Seriously! Go!

- The Futureheads continue their epic battle with the New Pornographers for the title of Best Band Ever, because I have a tendency to engage in hyperbole. The Sunderland lads played an amazing show Tuesday night at the Bowery Ballroom. Sound Bites was there, which feels weird to say, because it’s just my friend Bill. And as Liz noted, we got extra-special VIP seats thanks to one of my old neighbors in the Hells Angels. (This totally makes up for the apostrophe thing.) Anyway, the new Futureheads album, This Is Not the World, is their first for their own label and absolutely kicks ass. I recommend it without reservation. Buy it here, and dig the new video here:


Coming Up: I’ll try to convince you to buy Kazuo Umezu’s Cat Eyed Boy and Jim Woodring’s The Frank Book. You’ve been warned.


Two Quick Links


by Jeff



I’m on a magazine deadline this week, but I want to point a couple things out real quick-like. The first is the Boston Globe’s new online photojournalism/photo-essay section, The Big Picture. I’m just blown away by the quality of the photos they’ve posted so far, particularly in “After the Quake,” which looks at the Sichuan Earthquake. The above photo was taken in a Dujiangyan shelter that was set up for survivors. Check out the whole set, though. The first photo just blows me away every time I see it.

Also, last night I finished reading the amazing hardcover collection of Josh Cotter’s Skyscrapers of the Midwest. I’d like to write more about this one in the future, but I’ll say now that it’s playful and heartbreaking and I can’t stop thinking about it. Do me a favor and download this short PDF preview. I’m not sure I’ve ever seen a better depiction of the often-blurry line that exists between fantasy and reality when you’re young, and Cotter uses that masterfully to create a coming-of-age story that feels all the more authentic for its shifts into the fantastic and surreal. Amazon’s selling it for about $15, or you can get it directly from publisher AdHouse.


Comics: MoCCA recap and loot pics


by Jeff

This weekend was the big Museum of Comic and Cartoon Art festival, aka MoCCA, and I started the weekend Friday night at Rocketship:


That’s where Norwegian comics master Jason debuted his new collection, Pocket Full of Rain. A small gallery of original pages was set up at the front of the store, accompanied by a work Jason contributed just for the occasion. There was a great turnout; check out more pics and a weekend round-up over at the store’s site.



I spent 45 minutes sitting next to Jason at a bar before the signing, and I didn’t even know it (I’m sure he was relieved in retrospect).



One of the absolute highlights of Saturday at the MoCCA festival was talking to Lynda Barry, who was signing copies of her new book, What It Is. To be honest, I was more familiar with Barry’s name than her work - I really only knew she had a great reputation as a teacher, writer, and cartoonist. That reputation is deserved, if you ask me; she was gracious and engaging, taking five or ten minutes to talk to everyone who waited in line to meet her. If you get the chance, go see her while she’s promoting this book. Either way, try to check out What It Is, a scrapbook-style meditation on creativity that’s absolutely overflowing with images and ideas. There’s a good preview over at Pop Candy.



This one still cracks me up - it’s a mini-comic called Kool Aid Gets Fired, by Tim Piotrowski.



That’s Hope Larson signing my copy of Chiggers, and that’s her husband, Scott Pilgrim creator Bryan Lee O’Malley, immortalizing the moment from another angle. He’s showing his solidarity by sporting the fashionable Shasta bandana, which was also for sale at the table and which I may or may not be wearing as I write this.



A blurry pic of Hope and Bryan, but at least you can see the cover as she’s working on it. She did a different ink-and-brush drawing for everyone who bought the book, and it was really fun watching her work - she’s seriously talented. I didn’t get a chance to ask Bryan for a sketch, but he was busy enough selling copies of Chiggers. Probably my only regret of the weekend. That, and not cramming my shorts full of ice packs. The billboard thermometer thingie outside on Broadway read 101 degrees when I left the show.



The finished product, and the coolest thing I brought home from the show. I hope this thing sells a million copies.


Did I mention it was hot in the Puck Building? It was bearable on the air-conditioned first floor, but up on 7, the ceiling fans weren’t making much of an impact. That’s where they stuck most of lesser-known creators, the for’ners, the LGBT crew, and Vertigo.


I addition to the stuff up there, I picked up a copy of James Sturm’s America: God, Gold, and Golems, which I’ve read a lot of great things about and which looks awesome (I’ll read it as soon as I’ve finished Josh Cotter’s fantastic, depressing Skyscrapers of the Midwest). I also grabbed all three Action Philosophers books and scored a free poster from the Evil Twin guys. Cartoonist and Spongebob writer Sam Henderson was at the show selling his Magic Whistle books (I bought two and should have gotten more) and wearing hospital clothes. I’m really looking forward to digging into the oversized Sundays #2, an anthology by students and alumni of Vermont’s Center for Cartoon Studies. Oh, and my award for Best Cover goes to Paul Horacek and his collection of bleak, pessimistic gag cartoons, All We Ever Do Is Talk About Wood.



My favorite cartoon in the book shows a boy sitting in bed with a broken leg, his cast signed with things like “Get worse soon” and “Too bad it wasn’t your neck.” At first it’s hilarious, and then it sort of makes you want to cry. If that’s your kind of thing, you can get a copy through the Drawn & Quarterly site.


MoCCA is a must-attend event for comics fans whose tastes lean more toward the artistic or literary or whatever you want to call it. The non-superhero stuff. The work on display was incredibly diverse, and I’m sure I missed at least a dozen great indie and small-press books. For a smaller show (compared to the bloated, cosplay-saturated New York Comic Con), it’s incredibly dense, and you really need to attend both days if you want to take everything in. I surrendered to the heat and only left my apartment for about ten minutes on Sunday, and I sort of hate myself for it. To atone, I’ll just have to buy twice as many books next year.


Friday Round-Up


by Jeff



- First and most importantly, this weekend is the annual MoCCA Art Festival here in New York. For comics fans who don’t really have an interest in superheroes and the Marvel/DC stuff, MoCCA (the Museum of Comic and Cartoon Art) is where it’s at. It’s mostly indie and “literary” stuff, and lots of creators will be there to promote and sign their books. I’ll be pestering Bryan Lee O’Malley for a signed postcard and picking up a copy of Chiggers, the new graphic novel by Hope Larson. (Check out a preview here - I love Hope’s art style.) I also plan to grab Alex Robinson’s Too Cool to Be Forgotten, about a middle-aged man whose stop-smoking hypnosis treatments time-warp him back to high school in 1985. (Preview here.)


- The MoCCA weekend kicks off tonight at Rocketship with the world premiere party for Pocket Full of Rain, an early-works compilation from Norwegian comics genius Jason (I Killed Adolph Hitler, The Last Musketeer, and lots more). The man is a master of the form - Musketeer is a personal favorite of mine - and since he generally makes 48-page books, I can’t wait to dig into a nice 180-plus-page collection. For a gratis look at Jason’s stuff, check out Low Moon, a serialized comic that’s been running in the New York Times Sunday Magazine.


- Holy crap, it’s a sunset on Mars! Speaking of, I’m having fun following the Mars Phoenix Lander on Twitter.


- The new Al Green album, Lay It Down, is phenomenal. It sounds like it could have been recorded in 1973. Check out the MySpace promo page for samples.


- Oh, if your most profound wish is to watch ShowBiz Pizza robots perform Usher’s “Love In This Club”, consider that shit granted:




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